BONFIRE WARNING....

BONFIRE

After 55 years of selling art for a living, I am having a bonfire.

I sold my first painting 60 years ago. And I have managed to make a full time living as a professional artist for the last 55 years.

I have painted and sold probably ten thousand originals. For many years they were small or medium size paintings that were just right for collectors walls and purses.

During the last 20 years or so I have published many thousands of my pictures as fine art prints and cards.

However I have gradually accumulated a stock of unsold artwork during that time. Mostly display prints, plus a collection of frames, ... and even some originals.

UNSOLD ORIGINALS! WHY?

Things have changed and so I have stopped selling originals in UK art galleries.

In the old days I exhibited in art galleries all over the country. They sold my originals at sensible affordable prices. I also published a few limited edition prints. I was successful and gradually over a few decades my prices went up.

Art galleries have always got to optimise their turnover by appealing to new collectors. And so galleries use crucial wall-space for new affordable art. Inevitably small galleries replace a rising price artist with a new lower price artist. Any sale of higher price originals by a successful high price artist was a bonus. For the gallery and the artist.

And the successful artist could replace their sale of low affordable price original paintings with a supply of good quality fine art printed editions.

So we made bigger paintings at a slower rate with the deliberate intention that the image could also become a print product. If anything that pushed the value of these originals up. And that made them even less sellable to most new collectors.

Eventually that meant that I sold fewer original paintings to the newer younger market, but many more print editions.

The trouble is that artists who sell through galleries ‘must not undercut their prices when selling direct’. Otherwise the gallery will get very upset and the artist loses that venue. Fair enough.

A couple of years ago UK galleries had established a selling price based on area for my original work.

That was £10 plus per square inch.

FURTHER CHANGES.

Recently the art market here in the UK has changed. People used to visit exhibitions and buy art from many small private art galleries. They were friendly places with an owner art-dealer in charge. He or she would have a good selection of local artists and more professional artists that had a nationwide appeal. There would be a lot of originals, very often local scenes, at reasonable affordable prices.

But those days are going or gone. Many of the most successful galleries are now part of a bigger chain run from a distant head office. These new art businesses have had to create a different range of artworks. They want art products that are the same whichever gallery in the chain that they are in.

They are looking for stock to sell at the optimum selling price and repeatable over and over again.

Only a small percentage will be local artists. So most of their art products are prints in very impressive posh frames at a high price.

And their artists are usually contracted and committed to do business only through that gallery chain.

They cannot deal directly with their collectors, and they only get a small percentage of their selling price. No thanks.

CONSEQUENCES.

As things changed, and the small local gallery vanished, the successful independent higher price artist was left high and dry unless they found new markets, new sales methods, or new products.

The gallery prices for my originals had gone up a bit too high to attract enough new collectors. And I ‘must not undercut the established gallery price’. The most obvious new market was the rest of the world.

The new direct-to-customer sales channel was the www.

And the most obvious new, affordable, and interesting products for collectors here in the UK were ‘print on demand’ giclees.